Born to Run is an album that turned Springsteen from a phenomenon should be a superstar. His first couple of releases found Bruce working out his fascination Dylan and Van Morrison, is a land, wordy, folk-rock-R & B tunes full of soul and punch. There is Born to Run, Springsteen became even more ambitious, synthesizing Orbison-esque drama production Spectorian and Duane Eddy-influenced guitar work, creating something great to be called rock opera, but also proletarian never claim the title.
Born to Run was also the first album where the Boss began to crystallize his recurring theme of the working class in America-but-doomed passion for Rage Against the circumstances. With the earnestness and emotion that bursts into the public street poetry of Springsteen, the album is never less than exhilarating, and songs like "Tenth Avenue Freeze-Out" (tongue-in-cheek history of the E Street Band) provide humor. "And 'the" Bo Diddley beat to set the most effective post-'50s use, and the epic title track is Springsteen's quintessential underdog.
Recorded at Record Plant, New York, and 914 Sound Studio, Blauvelt, New York.
Staff: Bruce Springsteen (vocals, guitar, harmonica, high horn), Steven Van Zandt (vocals, guitar, trumpet, alto sax, vocals), Clarence Clemons (vocals, saxophone, tenor saxophone), Danny Federici (vocals, organ, keyboards) Mike Appel (vocals, backing vocals), Suki Lahav (violin), David Sanborn (sax, baritone sax, bass sax), Michael Brecker (tenor sax, woodwinds), Randy Brecker (trumpet, flugelhorn, French horn), Wayne Andre (trombone ), Roy Bittan (piano, Fender Rhodes piano, harpsichord, organ, keyboards, glockenspiel, vocals), David Sancious (keyboards), Garry Save (bass guitar), Ernest Carter, Max Weinberg (drums).
Born to Run was also the first album where the Boss began to crystallize his recurring theme of the working class in America-but-doomed passion for Rage Against the circumstances. With the earnestness and emotion that bursts into the public street poetry of Springsteen, the album is never less than exhilarating, and songs like "Tenth Avenue Freeze-Out" (tongue-in-cheek history of the E Street Band) provide humor. "And 'the" Bo Diddley beat to set the most effective post-'50s use, and the epic title track is Springsteen's quintessential underdog.
Recorded at Record Plant, New York, and 914 Sound Studio, Blauvelt, New York.
Staff: Bruce Springsteen (vocals, guitar, harmonica, high horn), Steven Van Zandt (vocals, guitar, trumpet, alto sax, vocals), Clarence Clemons (vocals, saxophone, tenor saxophone), Danny Federici (vocals, organ, keyboards) Mike Appel (vocals, backing vocals), Suki Lahav (violin), David Sanborn (sax, baritone sax, bass sax), Michael Brecker (tenor sax, woodwinds), Randy Brecker (trumpet, flugelhorn, French horn), Wayne Andre (trombone ), Roy Bittan (piano, Fender Rhodes piano, harpsichord, organ, keyboards, glockenspiel, vocals), David Sancious (keyboards), Garry Save (bass guitar), Ernest Carter, Max Weinberg (drums).
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